Friday, March 4, 2011

Where To Buy Borges Olive Oil

Federica Volpe - unpublished



hen And now as my quiet

den of shadows and presences.

Maybe one day will hatch the eggs, and children will tell you
monsters, and lively eye

imprinted on my face, and follow me Zompi

mom without having to rest, and hunger
roderanno my thighs
stupid soft clucking.
I just know that I
brood to hatch any body know,
to rejoice in the small kennel rest.
bites but I do not give life.
(Fear,-I confess-I failed).

Sunday, February 27, 2011

''catcher Console-web Monitor 2009

HUMANITY 'women - the play (March 11, 2011, Cesano Maderno)

HUMANITY 'FEMALE

Friday March 11, 2011
from 21:00 to 21:30
Holy Family Oratory, via Piemonte 7, Cesano Maderno



Taken by the "two sides" by Cristina Comencini
Cast: Beatrice
/ Giulia: Gretha Bona
Sofia / Ross: Melanie LaChimia
Claudia / Cecilia: Stephanie Grassi
Gabriella / Sara Padula Silvia

director: Silvia Padula

introduction of Federica Volpe

Wednesday, February 23, 2011

Second Hand Digital Slr

Ring of rice and chicken with zucchini


A tasty dish with zucchini and chicken with mustard,

very easy to prepare.

Ingredients: 200 grams of rice

two zucchini

a leek

white onion

30 g butter 30 g grated Parmesan

a liter of vegetable broth

a glass of white wine

two tablespoons of extra virgin olive oil salt and pepper

For the chicken with mustard:

300 grams of chicken

a tablespoon of mustard powder

breadcrumbs qb

extra virgin olive oil juice of one lemon 40 g butter

a little salt and pepper parsley

In a pan fry in olive oil and leek finely chopped onion

, add the rice, toast and blend with the wine. Add

zucchini cut into cubes and pour the boiling broth,

adding a ladle at a time, add salt and pepper.

When it is cooked stir in the butter and Parmesan. Take a

already buttered ring mold and pour in the rice, Level.

-----

Wash the chicken and cut into strips. In a bowl pour

three tablespoons of olive oil, lemon juice and a tablespoon of mustard, salt and pepper

; beat emulsifying and pour the chicken and leave to infuse for

about two hours. Besides heat the butter and 30 grams of

three tablespoons of olive oil, drain the chicken from the marinade and after

passing it in the breadcrumbs, and cook it in the pan.

Take a serving dish, pour the rice ring and ask to

center and around the chicken browned. Before serving it,

hot, sprinkle with chopped parsley.

ENJOY !!!!!!!!

Tuesday, February 22, 2011

Retinol Face Cream, Cheapest

Viva i ribelli arabi! Senza se e senza ma?


In the countries of North Africa and Gulf riots are upsetting the political balance of that area so crucial to the so-called democratic occcidente. The Chronicles of journalists in the pay of the Western bourgeoisie thieving tell us that the situation in Libya is now led to civil war. And down with hasty judgments and cut with an ax without any humility necessary to try to understand what really is happening and what are the underlying logic to these events.
But journalists are not only sold to their masters to shoot all kinds of nonsense, they do so and those who are against capitalism, imperialism and praising the revolution socialista, sono con "le masse in rivolta senza se e senza ma" ma non hanno la minima idea di chi stia veramente dietro ai "ribelli". Tutti a sostegno delle "masse in rivolta" senza rendersi conto che c'è il rischio di fare poi delle brutte scoperte, e troppo tardi, così come succede quasi sempre. Anche i fascisti marciarono su Roma.... Visto che i "giornalisti di professione continueranno a fare il loro lavoro di informazione di comodo, sarebbe il caso che coloro che pretendono di difendere veramente i diritti umani fossero quantomeno un po' più cauti e cercassero di non cadere vittima delle mistificazioni dell'informazione borghese. Questi signori che tando fanno per i loro interessi e nulla per quelli della collettività, sono gli stessi that Gaddafi has given banks, companies, soccer teams, they have huge interests in the area, etc.. and have also given an honorary degree. Even Ceusescu was "the most democratic leaders of the East", it said the same people who cheered for a few days after his execution on live television. Let's be real revolutionaries not stupid and superficial, perhaps trying to answer the obvious question: who is behind the riots taking place in those countries? And what are the interests of imperialism in that area and, above all, what role they are playing the West's imperialist intelligence, aggressive and belligerent?

Sunday, February 20, 2011

What Is A Level 3 Food Alergy

HAVE FAITH - episode 7

Tuesday, February 15, 2011

Camera Bella Uses In New Moon

Federica Volpe

I learned in the heartbeat
che ho bisogno di sole
come il sale ha sogno
di lacrima per sorpassare
le tondità dell'occhio.
In bocca sapore di scoperta.



Sunday, February 13, 2011

Buying A Twin Malm Bed

NINETY NINE YEARS WITH ANTONIA WELLS (and mention of complaints)

Il 13 febbraio del 1912 (novantanove anni fa) nasceva a Milano Antonia Pozzi.
Giovane intellettuale timida e silenziosa, eppure frizzante e colma di vita e acutezza, è passata su questo mondo quasi inosservata, lasciandoci troppo presto, donandoci però tutta se stessa.
E noi siamo così poco riconoscenti, così ciechi.
Accenno ora (ma mi occuperò meglio della questione e più approfonditamente in un giorno che non sia festoso quanto questo)alla poca attenzione that the City of Milan has placed against the poet: in via Mascheroni, where she has lived all his short life and where I visited recently, there is the slightest trace of Antonia, the minimum recommendation.
But it is right to show the fruits of his love, his pain and his research shows how important his coming knocking on the doors of the world that on February 13. The
celebrate, for as little as I can, with some extracts from the diaries and letters, and, of course, with some poetry.


It 's been this Christmas. [...] Day of celebration, therefore, but, like any other date as singularly important and solemn day regret for past ones.
feel strange, unfair to me, which are still almost a child, I should only look to the future, confident, serene! Maybe in previous years felt so, this year, however, no, it's different, I do not know why. I'm afraid, and I know not: it's what comes up to me, no, because what I hope and trust. I'm afraid of time, the time flies so fast. Flees? No, not escape, and even flies: slides, fades and disappears as the sand that seeps from the already closed fist through your fingers and the palm leaves that unpleasant feeling of emptiness. But, as the sand remain in the wrinkles of the skin, scattered grains, so the time passing left to us the track. Maybe it's because that remained in me is excited, perhaps because, even if painful or anything violent in my life has gone quiet, I have lived this life intensely enjoying almost of my own suffering, rejoicing in the joy of being able to live in me, to feel inside, as in a closed casket, a soul, a soul throbbing, laughing, nostalgic, passionate, perhaps this is full of feelings, so I suffer and enjoy a day that apparently you can enjoy and pain in my whole life, I regret the past, I love this, I do not consider the future, because I'm happy to be me, with my faults and my few virtues, because I do not know if I can still be so in the future. (Christmas 1926, wrote the school).




lightheadedness

I remember one September afternoon,
on Montello. I, still a child, skinny and Trecciolino
with an itch
of crazy runs on the knees.
My father, huddled in a corridor
dug in a rise in the ground, pointed out to me through a crack

the Piave and the hills and I talked
of war, of himself, of his soldiers.
shade, the grass and sharp cold
I touched his calves: under the ground, the roots
succhiavan
perhaps even a few drops of blood. But I
I burned with the desire to take out
nell'invadente sun
to collect a fistful of blackberries from a bush.

Milan, May 22, 1929




Cry

not have a God
not have a grave
not have anything firm
only living things that escape -
be no tomorrow without yesterday
be
and blinded to nothing -
- help -

for the misery that has no end - February 10, 1932





Life

On the threshold of a sunset in autumn

dumb

discover the wave of your time and yield

secret

as from branch to branch

a slight fall in the wings of birds
no longer hold.

August 18, 1935




sisters, you do not mind ...

sisters, you do not mind

tonight I also follow your path? So sweet is passing

speechless
to the dark streets of the world -
for the white streets of your thoughts - so sweet

is feeling a little shadow
near the light - so sweet

bolt against the silence of the heart
as your life based only
listening to your souls to go - just stealing

staring
the spirit of things -
sisters, if you do not mind - I will follow every night


thinking your way to a night sky
for which two white stars lead a star

blind to the bosom of the sea.

Milan, December 6, 1930





Pasturo, July 13, 1929

Antonio Maria Cervi Cervi

dear
I want to dedicate to you this evening that the first step in my ugly, sweet country. What is a return? One thing, for a few hours, melting the hard groppi that separate today from yesterday and blends the past and present with fresh safety, where evil has no place.
My soul today, my soul the past year, have been found and are still embraced senz'urto tonight, in my study this strange, made of old furniture, begged a little 'everywhere, the wooden shoe, the closet, smelling of pine, the low, wide window, ceiling and walls give it the appearance of irregular an Alpine hut.
is so far from other rooms, there comes no noise in the house.
Solo, from the garden of the monotonous buzz today, nell'afa afternoon was the drone of bees linden flowers, now is the indolence of a drizzle apathy.
few hours ago when I entered, the smell characteristic of these walls I invested my heart and twisted as an abrupt pull the reins ...
From this table, last year, I never thought of God
This year we think. A Carnisio, so I studied: calmly, without worry. I'm glad. They are also quite good. Before coming to write, I have rung the Fountains of Rome, to smooth soul.
's terrible to be a woman, and have seventeen years. Inside
do not have a mad desire to give themselves.
She is right to say that women are nothing.
We see first, but our eyes are closed before. We see the peaks, but if someone comes to you, is because it has very manly.
not demeaning, Bucks, feel more cleansed because of the music through its own will? That 's what happens to me tonight. Still, do not despair. Since last year, I walked a little. I will walk again.
I think?
All my love, Antonia Pozzi
his

Tuesday, February 8, 2011

How Long Will You Run Fever With Viral Infection

WITHOUT THE NIGHT - Haiku - Mariella Soldo

night without gods:
while watching the moon do not have a name


夜 と 神 月 を 眺める

我 名無し

to yoru wo kami
tuki nagameru
nanashi

ware (Japanese translation by Tomoko Suzuki)



Mariella Soldo degree in Theory and Practice of Literary Translation at the University of Bari is currently a PhD candidate in French Literature in the same university. He published a collection of poems, "Painting on the water" (Finiguerra Graphic Arts, 2004) and a antiromanzo "In the deep black" (Arduino Sacco Editore, 2009). Is this with stories and poems in anthologies edited by Giulio Perrone Editore and magazines ("Prospect. Literary Magazine" and "potential flow. Quarterly Journal of entropy"). She writes essays and articles devoted primarily to Japan, for "Nova. Journal of art and science "(The Diviner). A soon to be published for the first time in Italy, his translation of the collection entitled "Poems in Prose" of the French symbolist poet Renee Vivien, to LiberAria Editions.

Thursday, February 3, 2011

Loose Tie And Untucked Shirt

POETRY AND 'THE REVOLUTION: ANTHOLOGY "THE NIGHT": a poem by Federico Volpe




One of my poem entitled THE MOON will appear in this volume. Thank you again
POETRY AND 'THE REVOLUTION.

Monday, January 24, 2011

Directvsecond Location

VERSINVENA sull'antologia FOUR YOUTH / ASTRI



VERSINVENA, a good forum for poetry, read the anthology FOUR YOUTH / ASTRI and made it a path rather than enlightening.

Here is the link for those who want to give you a look:

http://versinvena.freeforumzone.leonardo.it/discussione.aspx?idd=9590777 & # idm108998607

(special thanks to Roberta D'Aquino and Francesca Coppola)

Sunday, January 23, 2011

Contico 3725nl Pro Tuff Bin, Wholesale

Mrs. Volpe Federica Volpe in Leopardi



always teased because I would marry him, with the addition of animal-like names on the joke ... m'è did this from the depths of idiocy.

Federica Volpe and Giacomo Leopardi MARRIED TODAY u_u

Thursday, January 20, 2011

How Does Lauren London Get Her Weaves Done



The skin I opened
like bubbles in a glass of water
. But it is time now that nothing
contains me.
also the skin, to touch me,
look, the glass breaks.

(unpublished, all rights reserved)

Wednesday, January 19, 2011

Kates Playground Shwer

Emily Dickinson

Could a mortal lip guess
The primordial Load
of a syllable pronounced
crumbles under the weight -

prey to unknown areas -
The Looting of the Sea
The Mind of Tabernacles
What they told me the truth -



Emily Dickinson was born in Amherst (Massachusetts), a small town puritan December 10, 1830, died there May 15, 1886.
spend their entire lives in the home country, in almost complete cultural isolation, apart from the remarkable collection of letters. As a proud and independent character does not accept the imposition father to suspend his studies and go home by himself. He loves the silence, peace, and especially poetry. He died in 1886.

Friday, January 14, 2011

Nudity Festival Gelary

HAVE FAITH - episode 6

Tuesday, January 11, 2011

Pain Behind The Ears When Laughing

FABRIZIO DE ANDRE '- 12 years after his death I stopped

12 years ago left us a songwriter. To be honest, a poet.

I owe him a lot, and all I can do for him is to remember that.



"when death calls me

anyone in the world will realize that a man died without speaking

without knowing the truth that a man died without praying
escaping the burden of piety"

Where To Buy Reynolds Fun Shape In Ca

certainties CORNER OF AN OLD BUILDING - Roberta D'Aquino


seekers in me the patience of the silent stones will
grain, eroded by rain
a plunge from the heights
every step will sign the chance to believe
rubber

chi cerca in me
il calore d'un focolare
chi cerca da mangiare a tardasera
riattizzerà le braci, le pentole
il camino, pane secco
o digiuno

chi in me cerca
l'altezza della quercia, la forza
di radici fisse in terra, chi s'ancora
ancòra alle mie braccia,porti
imbracature forti
celebrando la preghiera
d'uno scalatore

io sono imperfezione, dubbio
io sono aceto in calice che brilla

andatura sbilenca su cocci di bottiglia



La poesia è parola silenziosa e per questo le si affida.
Roberta D'Aquino è nata a Napoli l'11 marzo 1982.

Sunday, January 9, 2011

Digital Camo Rifle Scopes

the central idea - of Milo de Angelis

came to mind (but by accident, the smell of alcohol and bandages
)
this get busy caring
notwithstanding.
And yet, before all, chose
between actions and their meaning.
But by chance.
Beings despotic give the center
casually, with an X-ray, and
in a dream, masters
threatening hissing:
"if you take away what is not yours do not
nothing left."



Milo De Angelis lives in Milan, where he was born in 1951. In the collection "likeness" (Bloomsbury Publishing, 1976), "mm" (Einaudi, 1983), "Land of the face" (Mondadori, 1985), has known proposals for formal innovation and originality, but also supported by a painful laceration which gives the interior an existential dimension to the tragedy.

Friday, January 7, 2011

Compare Xvest And V-max

On MOROCCO ROCOCO Jane McKie (Edizioni Kolibris 2010) - Analysis of Federica Volpe



Jane McKie, Scottish poet given to Italy by the skillful hand and heart of Chiara De Luca, is a being who appears to be quite clear, broken inside.
His poetry becomes a means of reconstruction, mixing together all the little puzzle pieces that represent: the great culture that proves that he has espoused, represented by citations geographical, mythological, scientific, and the great pain, an element that just makes sense but, though muted, sa cry aloud to the attentive ear, and the reflection, which becomes crucial for the reader, who, to be dragged in the fascinating mind of Mc Kie, it must at least be willing to give the time of reflection.
Jane Mc Kie appears to other divisions within the collection Morocco Rococo, which tend to the reconstruction of the being.
Woman is divided, in fact, in this work, between the ancient world and fantastic (cites, for example, islands disappear or invented, such as Lyonesse, or still are many references to Greek mythology, Celtic, Germanic, etc.) world and new and concrete (many references to Africa or countries effectively associated with its existing reality), though sometimes the line between abstract and concrete gets lost not provide certainty (or the reader or the poet) on what is reality and what is fantasy (for example, the fair is held annually in Downtown, the Cuckoo Fair, becomes an opportunity to enter something in the real fable, far away, unreal). I think that is not a case, that McKie has called one of the first collection of poems The poles of the gate of the imagination. The theme of the unreal real opposition is obviously expensive. McKie
Often, as I wrote, makes use of geographic terms or scientific purposes. In its being broken, the poet has identified an anchor in the know of salvation, which allows it to stay afloat in a world that does not reflect. His almost maniacal obsession for sites reveals a great love for the world, a great love for life, but it is also, of course, his great grip. In
opera night driving, in fact, McKie wrote: "Exit marked in green come and go. Here. / There. These dead-end streets inconceivable.. "
It 's like McKie did not know the map without going anywhere, were lost when "You just tail lamps for compass." In the poem
Montgomeryshire, scale 1cm: 1km, woman comes to imagine even a panismo going to be identified with the map of the human being who embraces lo rassicura, proprio a raccontare questa sicurezza che le dà il sapere, che ha condotto ad avere coordinate che sembrano essere sicure. Stessa sicurezza le viene trasmessa dall’utilizzo del mito.
La McKie utilizza sovente il mezzo della personificazione, nella quale, però, è lo stesso io narrante, la stessa poetessa, a divenire altro ente, a dargli voce. Questo avviene, per esempio, nella lirica La campana di Bushom, nella quale la stessa McKie diviene campana che desidera spegnarsi (raccontando al contempo il disagio di un ente inanimato, ma che la sensibilità poetica vede sofferente, e della donna che la usa per raccontarsi, raccontandola), o in Sposa selkie, in cui la donna impersona la creatura mitologica che da foca si trasforma in donna, o ancora, nella poesia Le risposte di Vulcano e Venere, l’io poetico va ad identificarsi prima con l’uno e poi con l’altra dea. .
Oltre alla personificazione vi è anche l’uso della metafora con la quale la poetessa va ad accostarsi, molto spesso, ad animali. Jane si descrive come granchio, vorrebbe essere giumenta.
Inoltre, il mondo animale è per lei fondamentale strumento poetico. Molti sono i riferimenti a volpi, giumente, animali marini, come se fossero simboli stessi di lei, o di sue caratteristiche, come se fossero, in qualche modo e per motivi non sempre immediatamente afferrabili, sua immagine.
Altro punto importante della poesia di Jane McKie è quello che the vegetation.
In fact there are many references to this area. Again the elements of nature are the poet to talk about, but more often, as the animals tell me the poetic, the vegetation tells moods and feelings. There are clear examples
opera Quinces, apples that are bitter that a picture could tell how very good but "Look at my mouth ready to bite: / Who could imagine / that his usual fold / disappointment is green?" says the woman in the wonderful closed, or the poetry of box hedges, which tells of a shadow behind the hedge, the fear, the memories.
Another essay that you can in that regard citare è Laurisilva, Madeira, in cui un “… rametto rotto d’alloro, / tormentato alla base dalla guida” diviene occasione epifanica per riflettere sull’interiorità.
Jane McKie sa insegnare che si può vivere anche se rotti dentro, anche se le sventure “sono vecchie di secoli” ( da La campana di Bushom). Insegna, insomma, altri mezzi ed altre vie per essere uomini in modo pieno.
Morocco Rococo è una lettura accattivante, intelligente, mai struggente del mondo, ed è anche il racconto avvincente di un viaggio mai stanco, seppure sofferto, di una poetessa pienamente degna di questo nome, dotata di uno charme nelle parole che donano alla sua espressione poetica un colore(o a variety of colors) is unique and unrepeatable, giving it a voice that is separate from the other and you listen with a desire that never dies.

Tuesday, January 4, 2011

Adult Random Strabismus

Isabel Monal e l'attualità del socialismo

Here is an interesting interview with the Marxist scholar Isabel Monal.

"Socialism of the XXI century? Be careful not to confuse "

Of sottoosservazione

images Isabel Monal is among the most influential Marxist scholars and organizers of the Latin American culture. Cuba, heads the international journal "Marx Ahora", presented on May 7 last year in Havana during the "IV International Conference on the work of Karl Marx and the Challenges of XXI Century", sponsored by the Institute of Philosophy with participation of scholars from around the world. Among the many interesting texts published in the journal, point out the almost unknown "Philosophical Arabesques," Bukharin, three important documents of indigenous Americans, a long essay on the economics of perestroika and other insights on imperialism, on Hegel, Marx, Freud, Gramsci, Althusser, and the commodification of culture many others.

I ask, first, to explain to the reader the source of the Italian magazine that you live "Marx Ahora" and the role it plays in the theoretical and political debate in Cuba and Latin America.
The journal "Marx Ahora" was conceived in the early '90s and the first issue came out in '96. It was a very difficult time economically the Cuban revolution and it was not easy to find the best way to release the magazine. It was clearly a project of Marxist magazine at a time of conservative and neo-liberal hegemony on a global scale. We thought a lot about what title to give to the magazine. We thought maybe it was a better way nearer to the Latin American and Cuban national struggle. The other option was a reference to Marx and Marxism. Finally we decided to refer to Marx, not Marxism, even though this is clearly a Marxist journal that publishes several research trends Marxist. But we wanted to make a direct reference to Marx, the curator of design, the method of the whole movement for social emancipation of man. We also thought that a magazine was to be a contemporary of Marx, the world today, with today's problems. Then came this idea of \u200b\u200b"Ahora" which in English is an expression of strong, beautiful, is better than "hoy" why "ahora" has the meaning of a pulse of an emergency. It is not only a reference to time, at the time, but is also a reference to the urgency to act, the actualization of Marxism, its development of its enrichment. We also agreed that had to be a theoretical review, in the broadest sense of the term: philosophy, economics, political theory, etc.. And then the international dimension, because if we are a magazine of quality we need a theoretical perspective, of academics, politicians expressing different tendencies, different concepts. This is also a treasure for the technical quality. The magazine is published twice a year because the construction is complex because we need to do a lot of translations. We have published several Italian authors, leading figures of Italian Marxism today and also the tradition and we are very proud of this line.

Latin America today expresses vitality and social policy across most countries, including Cuba vitality This would seem to foreshadow a strong recovery of the socialist perspective. At the same time, emerging differenze, anche profonde, tra i diversi paesi del subcontinente. Vuoi spiegare lo scenario presente di quello che molti definiscono “il socialismo del secolo XXI”?
In questa vitalità troviamo una diversità di sviluppi, di tendenze, di processi. Si trovano cambiamenti molto moderati, come per esempio in Uruguay. Esiste poi il problema di Lula che non può fare molte cose, anche se pensiamo che avrebbe potuto fare di più. Io difendo Lula, ma c’è una certa disillusione. Poi si trovano altre tendenze rivoluzionarie che sono arrivate al governo ma non al potere. Chavez, che è un vero rivoluzionario e che ha portato avanti un processo di radicalizzazione della rivoluzione. C’è l’esperienza importantissima of Bolivia which is the first time that the government is an indigenous president. In the nineteenth century we had in Mexico Benito Juarez - a great man of America that I admire very much - but it was an expression of the liberal movement. As Evo Morales is an expression of the indigenous movement has become a protagonist of the social movement with a national project and this is very important for Latin America. Because before the Indian uprisings were limited, but now the Bolivian indigenous movement presents itself as a national and international perspective. This is really amazing because it shows that if you have an intelligent policy, the indigenous movement may have a role in national and continental levels. Then there the experience of Ecuador with a very good president who is opening a dialogue with the parties and the indigenous movement in Ecuador, although it is not as radical as a process in Venezuela or Bolivia. I do not speak of Chile continues to be fully neo-liberal. Each of these experiences is different, because the traditions are different, the class relations are not the same, the level of class consciousness, political maturity are not the same. Each process is different and needs flexibility. We also find many difficulties and serious dangers. Evo Morales will be able to control such a complex situation? Wait, is not safe. The Venezuelan process has become very complicated. Revolutions are made by men, social classes, of different people that can go wrong. We can not be completely sure that the outcome of these revolutionary processes become permanent, to stabilize. But one thing is clear: Latin America will no longer be what it was before. U.S. imperialism and the oligarchies can no longer do what they did before. This is very clear. You spoke of "socialism of the XXI century". I and many people in Latin America working on these issues we think there is much confusion, that the writings on this matter are not serious. Leaders of the indigenous movement in Ecuador, ad esempio, hanno la stessa percezione. Non hanno fiducia in questo concetto, non lo considerano chiaro. Uno di questi dirigenti mi diceva: “Isabel, prima i marxisti mi parlavano del socialismo e io potevo capire cosa voleva dire perché noi abbiamo la proprietà comune della terra. Ma questo socialismo del secolo XXI? Perché del secolo XXI?”. Certo se pensiamo di conseguire il socialismo nelle nuove condizioni del XXI secolo, questa è un’altra cosa: è possibile parlare di socialismo nelle condizioni del secolo XXI, tenendo presenti tutte le cose fatte nel secolo scorso, gli errori, le persecuzioni. Con tutto ciò, con la nuova realtà del mondo, sì, si può parlare di socialismo nel secolo XXI. Ma Socialism of the XXI century is also linked to the idea of \u200b\u200bcomputer-socialism that seems to me a very weak conception, is linked to the influence of Scottish school, the school in Bremen, Arno and his computer socialism. I do not agree that socialism is only participatory democracy, it needs to be social. What I mean: the illiterate, the illiterate can participate, but continues to be marginalized. We want socialism, participatory and social whole. Those who advanced this XXI century socialism argues that the law of value no longer exists because there are computers! This is the total lack of understanding of Marxist political economy.

What is the role of Cuba in this revival of the Left and social movements in Latin America? What is the function Cuba today, what role, even at the level of theoretical reflection, in this revival of the Latin American left?
of Cuba's greatest contribution is to exist, to be there and this is recognized by all progressive forces. Because Cuba has endured, showed that it was possible to get to socialism, with all the difficulties we have. You can if you resist imperialism in an intelligent manner, with the unity of the people, defending its principles. This was a moral support, political, ideological for all socialist and progressive forces in Latin America. Why you should consider that the end of terrible dictatorships in Latin America has been marked by a kind of illusion, with the bourgeois-type democracies. It was thought that democracy would solve the social question, in a context that saw the world the end of real socialism and the advance of neoliberal capitalism as one and only alternative. And Latin America is plunged into a terrible night: massive poverty, the privatization of all the natural resources exploited and robbed. We now have this awakening of the continent and the Cuban revolution was there with his message of possibility. This is the first cosa. Fidel Castro è una figura prestigiosa nel mondo e in America Latina, con una forza enorme. Anche persone che non sono né socialiste né marxiste ammirano la lotta, l’intelligenza, la flessibilità di Fidel Castro che non ha mai avuto una concezione marxista settaria o dogmatica. C’è stata l’apertura ai cattolici, agli indigeni, a tutte queste diversità. La rivoluzione cubana ha avuto sempre questa apertura. Un’apertura dentro i principi socialisti. Non ha mai negato i principi. Perché si trovano persone aperte che dimenticano i principi. No, i principi non si dimenticano e la gente apprezza queste cose. Per uomini come Evo Morales o Chavez e molti altri la rivoluzione cubana con la sua apertura, con il grande very strong sense of humanity that is present in the Cuban people, was teaching a lesson. Also in the perspective of internationalism and solidarity. These are the main contributions of Cuba While the thought of revolution, the link between social and national-revolutionary conditions are very important in Latin America and can be used, certainly without copying from other movements.

How dwindling political forces of the anti-European left could draw inspiration from Latin America?
My dear friend, this is a very difficult question. I do not have an answer for this. We can say that for us revolutionaries Latin American Marxists and what happened with the Left, Marxism, socialists and communists in Europe, is a huge concern. I am strongly internationalist, some are Latin, but what has happened in Europe is also part of me is not something alien, distant. I also lived in Europe, Germany and France. I visit Europe regularly. You probably have made many mistakes, but my knowledge is not enough to say what I want and do not improvise. I hope that the left forces in many European countries do a deep self-criticism and criticism and develop in a way close to workers, popular movements in Europe. And 'certain that every situation is different and can not be translated mechanically. We must regain the ability to represent, as the European left has done in the past, the popular forces, expectations, hopes, his needs.

Donatello Santaroni

http://www.liberazione.it/a_giornale_index.php?DataPubb=05/08/2009

Saturday, January 1, 2011

Marijauna In Rubbing Alcohol

NOTICE OF POETRY CONTEST "CARME MEAT" FOR THE CONSTRUCTION OF AN ANTHOLOGY (2011)



website VIR-US index the poetry contest poetic "Song of flesh."
The competition will not see the creation of a ranking, but a careful selection for the creation of an anthology whose theme will be that of carnal love.
The issue is closely related to concreteness, we consider the item at all necessary in poetry, and also the carnal love is a field of life like any other, and like any other influences and inspires the poetic to say, without unnecessary taboos or censorship.
Competitors must therefore address this issue as they see fit, regardless of length. The work must be unpublished and never winning in other competitions.
Participants should send the poem, by March 31, 2011, as an attachment in an email sent to our address: virtual us.poesia @ hotmail.it , and in the same file will need to enter your personal details (name, e-mail) as well as a biography of no more than 15 lines (which will be included in the anthology under composition).
The mail must have the purpose: COMPETITION CARME of meat, and in the body it must be inserted the following statement:

I, the undersigned ______________ ______________ ________________ declare that the work is unpublished and never winning in other competitions.
also declare that the award organizers can publish this my work, which I still hold the copyrights, as set out in the notice of the competition, without expecting any monetary compensation or other of them.


The competition is totally FREE.
The purchase of the work is not absolutely mandatory, and the purchase of the product will be made only by those who want / can.

The jury will be announced, together with the results of the competition, in the first half of April 2011.
rating of it is completely final.

Cervical Mucus Or Yeast Infection

HAPPY NEW YEAR 201


BIRTHDAY !!!!!! HAPPY NEW YEAR 2011


(pictures from the web)

Happy New Year to those close to me, who

now I'm on the street,

who was a friend to me precious

who gave me the gift of "listening"

and a smile or a hug,

who gave me a dream and who

that dream if it is resumed.

Congratulations to those who helped me to grow "Inside"

who loves me or loved me.

Greetings to those who no longer exists and I want to reach

to tighten a little bit longer to me.

Congratulations to all of you who read me.

I wish you a year of joy, health, and serenity.

A HUG ... Kisses ARMY